Lyrics to Nighthawk Postcards (From Easy Street)

This version of Nighthawk Postcards (From Easy Street) was released by Tom Waits in 1975.

Visit the Tom Waits Lyrics profile at Decade Lyrics - it has the Nighthawk Postcards (From Easy Street) lyrics as well as the rest of the songs by Tom Waits.

Here's more interesting things in songs and lyrics tied to Tom Waits or about the 1970s in general.

there’s a blur drizzle down the plateglass
as a neon swizzle stick stirrin up the sultry night air
and a yellow biscuit of a buttery cue ball moon
rollin’ maverick across an obsidian sky
as the busses go groanin’ and wheezin’,
down on the corner I’m freezin’;
on a restless boulevard at a midnight road
I’m across town from EASY STREET
with the tight knots of moviegoers and out of towners on the stroll
and the buildings towering high above
lit like dominoes or black dice
all the used car salesmen dressed up in Purina Checkerboard slacks
and Foster Grant wrap-around,
pacing in front of EARL SCHLEIB $39.95 merchandise
like barkers at a shootin’ gallery
they throw out kind of a Texas Guinan routine
“Hello sucker, we like your money
just as well as anybody else’s here”
or they give you the P.T. Barnum bit
“There’s a sucker born every minute
you just happened to be comin’ along at the right time”
come over here now
you know… all the harlequin sailors are on the stroll
in a search of “LIKE NEW,” “NEW PAINT,”
decent factory air and AM-FM dreams
and the piss yellow gypsy cabs
stacked up in the taxi zones waitin’ like pinball machines
to be ticking off a joy ride to a magical place
waitin’ in line like “truckers welcome” diners
with dirt lots full of
Peterbilts, Kenworths, Jimmy’s and the like, and
they’re hiballin’ with bankrupt brakes, over driven
under paid, over fed, a day late and a dollar short
but Christ I got my lips around a bottle and
my foot on the throttle and I’m standin’ on the corner
standin’ on the corner like a “just in town”
jasper, on a street corner with a gasper lookin’
for some kind of Cheshire billboard grin
stroking a goateed chin, and using parking meters
as walking sticks on the inebriated stroll
with my eyelids propped open at half mast
but you know… over at Chubb’s Pool Hall and Snooker
it was a nickle after two, yea it was a nickle after two
and in the cobalt steel blue dream smoke, it
was the radio that groaned out the hit parade
and the chalk squeaked, the floorboards creaked
and an Olympia sign winked through a torn yellow
shade, old Jack Chance himself leanin’ up against
a Wurlitzer and eyeballin’ out a 5 ball combination shot
impossible you say? …hard to believe?, perhaps
out of the realm of possibility? naaaa
he be stretchin’ out long tawny fingers out across a
cool green felt with a provocative golden gate
and a full table railshot that’s no sweat and I leaned
up against my bannister and wandered over to the
Wurlitzer and I punched A-2 I was lookin’ for
something like Wine, Wine, Wine by the Night Caps
starring Chuck E. Weiss or High Blood Pressure
by George (cryin’ in the streets) Perkins – no dice
“that’s life,” that’s what all the people say ridin’ high
in April, seriously shot down in May, but I know I’m
gonna change that tune when I’m standing underneath
a buttery moon that’s all melted off to one side
It was just about that time that the sun
came crawlin’ yellow out of a manhole
at the foot of 23rd Street
and a dracula moon in a black disguise
was making its way back to its
pre-paid room at the St. Moritz Hotel (scat)
and the El train came tumbling
across the trestles and it sounded
like the ghost of Gene Krupa
with an overhead cam and glasspacks
and the whispering brushes of wet radials
on a wet pavement and there’s a
traffic jam session on Belmont tonight
and the rhapsody of the pending
evening, I leaned up against
my bannister and I’ve been looking
for some kind of an emotional
investment with romantic dividends
kind of a physical negociation
is underway
as I attempt to consolidate all my
missed weekly payments, into
one-low-monthly payment
through the nose
with romantic residuals and leg akimbo
but the chances are more than likely I’ll probably
be held over for another smashed weekend

About Lyrics and Nighthawk Postcards (From Easy Street) by Tom Waits

The lyrics to Nighthawk Postcards (From Easy Street) are just the words, phrases, verses and chorus that Tom Waits used when the song was created in 1975. The lyrics to Nighthawk Postcards (From Easy Street) have both easy-to-spot meanings and hidden metaphors that have been discussed by the music press and fans, but only Tom Waits and any collaborators know all of the inspirations for the song.

If you like etymology or breaking apart phrases and words, it is easy to understand the lyrics to Nighthawk Postcards (From Easy Street) by Tom Waits. The word "lyric" itself derives from the Latin word lyricus, with the actual English word lyrics applied to the definition "words set to music" listed in Stainer and Barrett's 1876 Dictionary of Musical Terms. Continuing the chain, the Latin word lyricus derives from the Greek word λυρικός or lyrikós. This somewhat means "poetry accompanied by the lyre" or "words set to music." You can easily see that by looking at the background of the word lyric, that the "lyrics to Nighthawk Postcards (From Easy Street)" means the words set to the music of Nighthawk Postcards (From Easy Street), or poetry accompanied by the lyre played by Tom Waits. The singular form "lyric" is still used to mean the complete words to a song. However, the singular form lyric is also commonly used to refer to a specific line (or phrase) within a song's lyrics. Hence, by this analysis of word structure, you could say that the lyric to Nighthawk Postcards (From Easy Street) and the lyrics to Nighthawk Postcards (From Easy Street) are both one and the same thing. None of this talk about the word Lyrics is really relevant to fans of Tom Waits who came here looking just for the lyrics to Nighthawk Postcards (From Easy Street), but we feel it is still fun to learn what's behind commonly used words and lyrics in songs.