Lyrics to
Jose Campos Torres

This version of Jose Campos Torres was released by Gil Scott-Heron in 1979.

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I had said I wasn’t going to write no more poems like this
I had confessed to myself all along, tracer of life, poetry trends
That awareness, consciousness, poems that screamed of pain and the origins of pain and death had blanketed my tablets
And therefore, my friends, brothers, sisters, in-laws, outlaws, and besides — they already knew
But brother Torres, common ancient bloodline brother Torres is dead
I had said I wasn’t going to write no more poems like this
I had said I wasn’t going to write no more words down about people kicking us when we’re down
About racist dogs that attack us and drive us down, drag us down and beat us down
But the dogs are in the street
The dogs are alive and the terror in our hearts has scarcely diminished
It has scarcely brought us the comfort we suspected
The recognition of our terror and the screaming release of that recognition
Has not removed the certainty of that knowledge — how could it
The dogs rabid foaming with the energy of their brutish ignorance
Stride the city streets like robot gunslingers
And spread death as night lamps flash crude reflections from gun butts and police shields
I had said I wasn’t going to write no more poems like this
But the battlefield has oozed away from the stilted debates of semantics
Beyond the questionable flexibility of primal screaming
The reality of our city, jungle streets and their Gestapos
Has become an attack on home, life, family and philosophy, total
It is beyond the question of the advantages of didactic niggerisms
The motherfucking dogs are in the street
In Houston maybe someone said Mexicans were the new niggers
In LA maybe someone said Chicanos were the new niggers
In Frisco maybe someone said Orientals were the new niggers
Maybe in Philadelphia and North Carolina they decided they didn’t need no new niggers
I had said I wasn’t going to write no more poems like this
But dogs are in the street
It’s a turn around world where things are all too quickly turned around
It was turned around so that right looked wrong
It was turned around so that up looked down
It was turned around so that those who marched in the streets with bibles and signs of peace became enemies of the state and risk to national security
So that those who questioned the operations of those in authority on the principles of justice, liberty, and equality became the vanguard of a communist attack
It became so you couldn’t call a spade a motherfucking spade
Brother Torres is dead, the Wilmington Ten are still incarcerated
Ed Davis, Ronald Regan, James Hunt, and Frank Rizzo are still alive
And the dogs are in the motherfucking street
I had said I wasn’t going to write no more poems like this
I made a mistake

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Gil Scott-Heron has released many songs over the years besides Jose Campos Torres. Gil Scott-Heron released songs from 1970 to 2005 spanning across albums like Small Talk At 125th And Lenox, Pieces Of A Man, Free Will, Winter In America, The First Minute Of A New Day, It's Your World, From South Africa To South Carolina, Bridges, Secrets, The Mind Of Gil Scott-Heron, 1980, Real Eyes, Reflections, Moving Target, Spirits, and Gil Scott-Heron & Brian Jackson - Messages (Anthology). Decade Lyrics has over lyrics & songs by Gil Scott-Heron.

If you're a fan of 1970s music looking for more songs from 1979 or the 1970s overall, you've come to the right place!

About Lyrics and Jose Campos Torres by Gil Scott-Heron

When you decide to study the lyrics to Jose Campos Torres, you're looking at the words, verses and background chorus from the 1979 song by Gil Scott-Heron. Some of the lyrics to Jose Campos Torres have clear meanings and some contain metaphorical references. Like most songs, only Gil Scott-Heron and their collaborators know the full story behind any of the their songs.

You can understand the lyrics to Jose Campos Torres if you take apart the structure of the words. The word "lyric" itself derives from the Latin word lyricus, with the actual English word lyrics applied to the definition "words set to music" listed in Stainer and Barrett's 1876 Dictionary of Musical Terms. Continuing the chain, the Latin word lyricus derives from the Greek word λυρικός or lyrikós. This somewhat means "poetry accompanied by the lyre" or "words set to music." You can easily see that by looking at the background of the word lyric, that the "lyrics to Jose Campos Torres" means the words set to the music of Jose Campos Torres, or poetry accompanied by the lyre played by Gil Scott-Heron. The singular form "lyric" is still used to mean the complete words to a song. However, the singular form lyric is also commonly used to refer to a specific line (or phrase) within a song's lyrics. Hence, by this analysis of word structure, you could say that the lyric to Jose Campos Torres and the lyrics to Jose Campos Torres are both one and the same thing. None of this talk about the word Lyrics is really relevant to fans of Gil Scott-Heron who came here looking just for the lyrics to Jose Campos Torres, but we feel it is still fun to learn what's behind commonly used words and lyrics in songs.

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